Ann Veronica found herself incompetent, undignified, and detestable, holding on desperately to a hardening antagonism to her father, quarrelling with him, wrangling with him, thinking of repartees—almost as if he was a brother. ‘Couldn’t reconcile it with my dooty to leave you here—’ A thought made Melusine stop dead, turning to him. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them.
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